Color depth refers to the number of unique colors that a sensor can faithfully capture. Cameras with better color depth will demonstrate smoother transitions from one color to the next, and avoid "banding" in areas with subtle shading. (Blue skies are an example of where you might see color banding.)
More color depth is generally better, but you'll struggle to notice a difference between two cameras with less than 1 bit of difference. Color depth above 22 bits is considered excellent.
Want to learn more? Head over to our full glossary entry on color depth
Color depth test data courtesy of DxO Mark.
NX30 test data on DxO Mark XF1 test data on DxO MarkMaximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos.
Cameras with higher effective ISO will be better choices for indoor photography, night shooting, and indoor sports photography, especially if you intend to make large prints.
You can learn more at our glossary entry.
Maximum effective ISO test data courtesy of DxO Mark.
NX30 test data on DxO Mark XF1 test data on DxO MarkCameras with more dynamic range allow you to take photos with dramatic differences in highlight and shadow areas while retaining detail in both.
Think of a brilliant sunset on a rocky beach: Bright sunset in the background, with dark rocks in the foreground. High dynamic range means more of the extremes will be faithfully reproduced.
Dynamic range test data courtesy of DxO Mark.
NX30 test data on DxO Mark XF1 test data on DxO MarkCameras with longer battery life can take more photos before exhausting their batteries.
Special note: The measurement standard for battery life stipulates that if a camera has an internal flash, it must be used for 50% of photos taken. For this reason, comparisons of one camera with an internal flash to another without will not be comparable
Cool retro styling bolstered by a quality build and design; Fast f/1.8 lens at wide angle; Fast autofocus and low shutter lag; Tons of customizability and creative options, including Fuji's special EXR and Film Simulation modes; Full 1080p HD video; PASM controls; RAW still capture.
Special modes have somewhat steep learning curve; Maximum aperture drops quickly as you zoom; Lens cover doesn't lock when storing; Larger sensor doesn't necessarily translate to better photo quality than competitors; Demosaicing errors and moderately high chromatic aberration.
Very good image quality at low to moderately high ISOs; Blazing fast single-shot autofocus; Fast 9fps burst with RAW and JPEG files; Built-in Wi-Fi with NFC; Good build quality; Tilting EVF; Articulating touchscreen monitor; Bundled with Adobe Lightroom 5 software; Excellent value.
Dynamic range not as good as the best APS-C models; Slow buffer clearing even with fast UHS-I cards; Buffer depth with RAW files is underwhelming; Native lens selection is still fairly limited.
